HERE AND THERE 2020

Please join No Exit and their special guests Zeitgeist (from St. Paul, MN.) as they return to Heights Arts for an extraordinary evening of avant-garde music. For many years, these two ensembles have been collaborating to present bold and captivating concert programs for the adventurous listener. The program will feature works which are representative of composers from both Northeast Ohio and The Twin Cities, including all-new world premiere compositions by Michael Renee Torres and Jonathan Posthuma. Also on the program will be music by Daniel Nass, Tiffany Skidmore, Pat O’Keefe, Doug Opel, Buck McDaniel, Pauline Oliveros and Giacinto Scelsi. Don’t miss this phenomenal musical experience!

Heights Arts Gallery
2175 Lee Rd
Cleveland Heights, OH 44118
(216) 371-3457
http://heightsarts.org

Free and open to the public.

Learn more about No Exit at noexitnewmusic.com.

Learn more about Zeitgeist at www.zeitgeistnewmusic.org.

HERE AND THERE 2020

Please join No Exit and their special guests Zeitgeist (from St. Paul, MN.) for an extraordinary evening of avant-garde music. For many years, these two ensembles have been collaborating to present bold and captivating concert programs for the adventurous listener. Featuring all-new world premiere works by Michael Renee Torres and Jonathan Posthuma. Don’t miss this phenomenal musical experience!

The Bop Stop
2920 Detroit Ave.
Ohio City, OH 44113
(216) 421-5806
www.themusicsettlement.org/calendar

Free and open to the public.

Learn more about No Exit at noexitnewmusic.com.

Learn more about Zeitgeist at www.zeitgeistnewmusic.org.

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Since its inception, the idea behind No Exit has been to serve as an outlet for the commission and performance of contemporary avant-garde concert music. Now in its 11th season and with well over 140 commissions to date, the ensemble has strived to create exciting, meaningful and thought-provoking programs; always with the philosophy of bringing the concert hall to the community (not the other way around) and by presenting programs in a manner which allows for our audience to really connect with the experience.

Zeitgeist's mission is to bring newly created music to life with performances that engage and stimulate. A quartet of musicians animated by a spirit of adventure and collaboration, Zeitgeist presents works of substance with passion and integrity, and strives to forge new links between musicians and music lovers through concerts, commissions, recordings, and dialogue with our audiences.

HERE AND THERE 2020

No Exit returns to Kent State welcoming St.Paul, Minnesota-based ensemble Zeitgeist for an evening of world premieres and musical collaboration.

Kent State University School of Music
1325 Theatre Drive
Kent, Ohio 44242
330-672-2172
schoolofmusic@kent.edu

Free and open to the public.

Learn more about No Exit at noexitnewmusic.com.

Learn more about Zeitgeist at www.zeitgeistnewmusic.org.

Can't make it in person? View the live webcast at www.kent.edu/music/live-streaming.

With a cast of storytellers curated by Laura Packer, performance art curated by Queen Drea, and new music curated by Zeitgeist’s Heather Barringer, the second annual Zeitgeist Halloween Festival features the best of Twin Cities performing artists in a Halloween celebration that is sure to send shivers up your spine.

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SCHEDULE

Thursday, October 31
7:00 Delinda Pushetonequa, storyteller
7:30 Zeitgeist performs works by Asuka Kakitani, Dameun Strange, Daniel Nass, Pat O'Keefe, and Doug Opel
8:30 Death Mints: improvised music and dance featuring J-Sun, Yan Pang, Darrius Strong, Queen Drea, and Gabriel Blackburn

Friday, November 1
7:00 Northando Zulu, storyteller
7:20 The Ways Ensemble, featuring Bill Cottman and Yonci Jameson
7:40 Loren Niemi, storyteller
8:00 Zeitgeist performs works by Nick Gaudette & Maggie Bergeron, Pat O'Keefe, Asuka Kakitani, and Daniel Nass
8:45 Fero, featuring Steve Hirsh, Douglas Ewart, Douglas Washington

Saturday, November 2
7:00 Katie Knuston, storyteller
7:20 TBA
7:40 Christie Moulton Perry, storyteller
8:00 Zeitgeist performs works by Asuka Kakitani, Dameun Strange, Daniel Nass, Pat O'Keefe, and Doug Opel
8:45 Sinister Songs, featuring voice/saxophone duo Megan Ihnen and Alan Theisen (MIATp), vocalist Liz Pearse, and Zeitgeist

Sunday, November 3
6:00 Zack Baltich, percussionist
6:20 Laura Packer, storyteller
6:40 Divine’s Toxic Tea Party featuring Divinewords and Anthony Dalton
7:00 Zeitgeist performs works by Nick Gaudette & Maggie Bergeron, Pat O'Keefe, Asuka Kakitani, and Daniel Nass

(times approximate)

With a cast of storytellers curated by Laura Packer, performance art curated by Queen Drea, and new music curated by Zeitgeist’s Heather Barringer, the second annual Zeitgeist Halloween Festival features the best of Twin Cities performing artists in a Halloween celebration that is sure to send shivers up your spine.

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SCHEDULE

Thursday, October 31
7:00 Delinda Pushetonequa, storyteller
7:30 Zeitgeist performs works by Asuka Kakitani, Dameun Strange, Daniel Nass, Pat O'Keefe, and Doug Opel
8:30 Death Mints: improvised music and dance featuring J-Sun, Yan Pang, Darrius Strong, Queen Drea, and Gabriel Blackburn

Friday, November 1
7:00 Northando Zulu, storyteller
7:20 The Ways Ensemble, featuring Bill Cottman and Yonci Jameson
7:40 Loren Niemi, storyteller
8:00 Zeitgeist performs works by Nick Gaudette & Maggie Bergeron, Pat O'Keefe, Asuka Kakitani, and Daniel Nass
8:45 Fero, featuring Steve Hirsh, Douglas Ewart, Douglas Washington

Saturday, November 2
7:00 Katie Knuston, storyteller
7:20 TBA
7:40 Christie Moulton Perry, storyteller
8:00 Zeitgeist performs works by Asuka Kakitani, Dameun Strange, Daniel Nass, Pat O'Keefe, and Doug Opel
8:45 Sinister Songs, featuring voice/saxophone duo Megan Ihnen and Alan Theisen (MIATp), vocalist Liz Pearse, and Zeitgeist

Sunday, November 3
6:00 Zack Baltich, percussionist
6:20 Laura Packer, storyteller
6:40 Divine’s Toxic Tea Party featuring Divinewords and Anthony Dalton
7:00 Zeitgeist performs works by Nick Gaudette & Maggie Bergeron, Pat O'Keefe, Asuka Kakitani, and Daniel Nass

(times approximate)

[from Damnedct.com]

“...in 1872, a woman by the name of Mary Hart died in New Haven {Connecticut] and was thereafter interred in Evergreen Cemetery.

...different stories surround the demise of Ms. Hart. The ...most horrific -- says her family found her apparently dead of a stroke at the stroke of midnight and quickly had her buried; her aunt, however, had a dream the next night in which she saw Mary still alive in her coffin and plead with the powers-that-be to dig her up. After they finally capitulated, dug her up and opened her casket, they discovered a horrific sight: Mary was dead, but apparently hadn't been quite that way when buried -- her fingernails were bloodied and the inside of her coffin was shredded as she had apparently tried to claw her way out.
[Another] story... Mary having been a witch in life and her grave being cursed -- anyone who was there at midnight would meet a terrible end when the witch rose from the dead. Since New Haven is renowned as a college town, there was always a student or two who scoffed at the story and tried to stay the night in the cemetery, only to be found dead the next morning, a victim of the murderous spirit of Midnight Mary.”

Taphephobia - the fear of being buried alive - is said to have been fairly widespread around the late 1800s/early 1900s. An industry of sorts evolved whereby coffins could be purchased equipped with an adequate supply of air piped in from the surface as well as signaling mechanisms - very often, a bell or bells of some sort, with strings tied to the head and limbs below. These became the basis of my programmatic material: wooden knocks, scrapes, music boxes, a triangle for the bells, all built around a static piano line intended to evoke a sense of being trapped, or simultaneously, the image of Mary’s ghost walking the grounds of Evergreen Cemetery, haunting those who dared to visit her grave at midnight.

The first movement, Evergreen references the cemetery where Mary is buried. Her gravemarker – a massive marble slab, no mere headstone – reads:

“At high noon just from, and about to renew her daily work, in her full strength of body and mind Mary E. Hart having fallen prostrate: remained unconscious, until she died at midnight, October 15, 1872 born December 16, 1824.”

Arched above in black letters, the more cryptic: “The people shall be troubled at midnight and pass away”. Followers of the legend(s) take this as proof that Mary was meant to haunt those who disturb her. In reality, the quote is extracted from the Bible: Job, chapter 34, verse 20.

The second and final movement, Arthropodan polymetric dance battle imagines the invevitable invasion of Mary’s coffin by maggots, beetles, blowflies and other insects known to break down or decompose the human body. The movement opens with scurrying lines in the piano and steel drums meant to evoke the image of a moving carpet of all things creepy-crawly. From this, a cajon – continuing the theme of wooden knocks and scrapes established in the first movement – derives a groove over which the bass clarinet slowly develops a solo line. The overall effect is meant to be more light-hearted, exploiting the underlying dark comedy that is at the heart of many of the most famous teen slashers flicks.

Duo Petrof - Anatoly Zatin & Vlada Vassilieva, pianos

The 15th International Piano Festival of the Shanghai Conservatory of Music

Duo Petrof - Anatoly Zatin & Vlada Vassilieva, pianos

American musicians pianist Esther Wang and cellist David Carter are glad to be back amongst the Swedes and sharing the gift of music with them. The program is based on a theme of old and new: solo and chamber works by J.S. Bach alternating with solo and chamber works by Americans Ellen T. Zwilich, Doug Opel, and Margaret Bonds.

They invite audience members to choose works by Chopin, Popper, and more Bach as encores!

American musicians pianist Esther Wang and cellist David Carter are glad to be back amongst the Swedes and sharing the gift of music with them. The program is based on a theme of old and new: solo and chamber works by J.S. Bach alternating with solo and chamber works by Americans Ellen T. Zwilich, Doug Opel, and Margaret Bonds.

They invite audience members to choose works by Chopin, Popper, and more Bach as encores!

Click here for details.

Angelina Ning performs Serried with a Tinge of Bop on NPR's From the Top as part of the Texas State International Piano Competition. The show will be broadcast nationwide Monday, September 16, 2019. Click here for details.

American musicians pianist Esther Wang and cellist David Carter are glad to be back amongst the Swedes and sharing the gift of music with them. The program is based on a theme of old and new: solo and chamber works by J.S. Bach alternating with solo and chamber works by Americans Ellen T. Zwilich, Doug Opel, and Margaret Bonds.

They invite audience members to choose works by Chopin, Popper, and more Bach as encores!

Click here for details.

Duo Petrof - Anatoly Zatin & Vlada Vassilieva, pianos

Duo Petrof - Anatoly Zatin & Vlada Vassilieva, pianos

2018-10 Connoisseur Series Event

Matthew McCright performs a program of music titled “There and Back Again” --new music that traverses, breaks, loops, and tips the hat to the iconic music of American blues, jazz, and musical theater; showcasing the CD release of What is Left Behind and featuring the world premiere of Sean Friar’s Elastic Loops 2018 along with works of Sondheim, Bresnick, Opel, Mazzariello, Mazzoli, Moya, Rakowski, and Willie Dixon.

 

Matthew McCright performs a program of music titled “There and Back Again” --new music that traverses, breaks, loops, and tips the hat to the iconic music of American blues, jazz, and musical theater; showcasing the CD release of What is Left Behind and featuring the world premiere of Sean Friar’s Elastic Loops 2018 along with works of Sondheim, Bresnick, Opel, Mazzariello, Mazzoli, Moya, Rakowski, and Willie Dixon.

 

Duo Petrof - Anatoly Zatin & Vlada Vassilieva, pianos

Duo Petrof - Anatoly Zatin & Vlada Vassilieva, pianos

Zeitgeist’s Halloween Festival takes over Studio Z for four days of haunting sounds, bone-chilling new commissions, spine-tingling storytelling, and the return of Crocus Hill Ghost Story, a macabre tale of a house possessed created by composer/flutist Julie Johnson, writer Cheri Johnson, and filmmaker/actor D.J. Mendel.  

SCHEDULE:
(times approximate) 

Thursday, October 25
7:00 Storyteller Loren Niemi 
7:30 Zeitgeist premieres new works by Dameun Strange, Dan Nass, and Doug Opel. Plus electronic realizations by composer Mike Olson of FUNGI from Yuggoth by H.P. Lovecraft. 
8:30 Electronic music set by Queen Drea

Friday, October 26
7:00 Storyteller Loren Niemi
7:20 Saxophonist Benjamin Cold performs She Sings She Screams by Mark Engebretson
7:40 Storyteller Debra Ting
8:00 RenegadeEnsemble premieres new work by Alyssa Anderson inspired by Edgar Allen Poe’s THE BELLS
9:00 Festival musicians perform improvised score to a silent horror film

Saturday, October 27
7:00 Storyteller Loren Niemi
7:20 Electronic music by DeVon Russell Gray
7:40 Storyteller Laura Packer
8:00 Crocus Hill Ghost Story
9:00 Electronic set by Eric Gonzalez

Sunday, October 28
6:00 Electronic music set by Dameun Strange
6:20 Storyteller Loren Niemi
6:40 Hexantanz by Carlisle Evans Peck
7:00 Crocus Hill Ghost Story

Matthew McCright performs a program of music titled “There and Back Again” --new music that traverses, breaks, loops, and tips the hat to the iconic music of American blues, jazz, and musical theater; showcasing the CD release of What is Left Behind and featuring the world premiere of Sean Friar’s Elastic Loops 2018 along with works of Sondheim, Bresnick, Opel, Mazzariello, Mazzoli, Moya, Rakowski, and Willie Dixon.

 

American pianist Matthew McCright has performed extensively throughout the United States, Europe, Asia, and the South Pacific as piano soloist and chamber musician. He has thrilled audiences and critics alike with imaginative programming that places the greatest piano repertoire alongside the music of today’s most innovative composers. A native of Pennsylvania, McCright now resides in Minneapolis, Minnesota and is a member of the piano faculty of Carleton College. An accomplished recording artist, McCright has released five solo recordings on innova, Centaur, and Albany Records. He is represented by Proper Canary Artist Services.

Zeitgeist has commissioned composers Daniel Nass, Dameun Strange, and Doug Opel to write brand new works for Zeitgeist’s Halloween Festival: Things that go bump in the night. Join Zeitgeist, singer Alyssa Anderson, and composers Daniel Nass, Doug Opel, and Dameun Strange for a discussion on how to create music that sends shivers up your spine.

Lowertown Listening Sessions invite curious listeners to enjoy adventurous sounds and insightful conversation with the music-makers of our time. Held at Studio Z, Zeitgeist’s performance space in Lowertown St. Paul, this monthly happy hour series brings guest artists from all genres of new music (jazz, classical, world music, folk, and more) for performances and informal discussion in an after-work setting with food and beverages from Lowertown eateries.

Nicola Melville and John Milbauer, pianos

Carleton Music Department chair, pianist Nikki Melville, is joined by faculty colleagues Tom Rosenberg (cello) and Rick Penning (tenor), and guest pianist Jill Dawe, in a delightfully varied program. Beethoven's cello variations on 'Bei Männern, welche Liebe fühlen' from The Magic Flute is complemented by Mozart's lively Sonata in C major for four hands. Songs of Bernstein, Donauldy, and Argentin?e composer Guastavino are featured, and the program is completed by Doug Opel's driving and kinetic Dilukkenjon for two pianos.

John Milbauer and Nicola Melville, pianos

Duo Petrof: Anataoly Zatin & Vlada Vassilieva, pianos

David Carter, cello and Esther Wang, piano

Faculty Recital: Nicola Melville, piano

Guest Artist Series - Nicola Melville

Tickets $12 General Admission, $10 Senior Citizens, Students free with valid HWS ID

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

"GREAT PERFORMANCES IN THE GREAT GALLERY"

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Cellist David Carter

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olvieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

Photo by Rachel Schimelman, R|S Design

Nicholas Phillips, pianist

PLAYLIST FOR A NEW GENERATION

This tour will feature 21st century pieces written for piano.
Check back for details on a forthcoming CD.

PROGRAM

Stacy Garrop | Tango Gardel
Judd Greenstein | First Ballade
Nico Muhly | A Hudson Cycle
Doug Opel | Eine Kinda Bachmusik, pt. 2
Carter Pann | "She Steals Me" and "White Moon over Water"
Jonathan Pieslak | Shards
Mark Olivieri | Hommage a Trois
Sarah Kirkland Snider | The Currents

The program includes Gridlock, a piece by Dan Becker-Fade featuring 10 players; the soul in paradise (the first movement of Doug Opel’s Soul Settings Triptych for five players and speaker); Mozart’s Divertimento for Strings in D major, KV 136; two movements from a Tango Suite for harp and strings by Astor Piazzolla; and Jacques Ibert’s Divertissement, played by harpist Anna Maria Mendieta - See more at: www.scfv.org

The Kelly Adirondack Center at Union College presents Ricochet Duo with its multimedia program The Woodswoman Project: a tribute to Anne LaBastille as part of Union.s 2015 Adirondack Week festivities.

Ricochet Duo.s The Woodswoman Project honors Anne LaBastille.s tireless work as an international environmentalist, author, and icon for women by way of weaving together music, sound, images, and light. The concert repertoire has been selected to celebrate and focus on four tenets of LaBastille.s work: water & woods & birds & silence.

The multimedia program includes stunning photography by acclaimed Adirondack photographers Mark Bowie, Carl Heilman II, and Shaun Heffernan.

Honoring the late Adirondack conservationist, self-proclaimed Woodswoman and friend and neighbor of Rose Chancler, Ricochet Duo.s pianist commissioned Hilary Tann.the John Howard Payne Professor of Music at Union College.to write a work for piano and marimba. The resulting piece, Solstice, draws directly on LaBastille.s writings and is the center piece of The Woodswoman Project.

The Woodswoman Project highlights two other works commissioned specifically for the Anne LaBastille tribute. Pianist Rose Chancler first met Anne LaBastille while walking the family dog, .Elvis.. Anne.s beautiful German Shepherd pup .Krispy-Creme. came running out of her house, with Anne frantically (and ineffectively) blowing a training whistle from behind. Krispy and Elvis struck up a wonderful friendship. Doug Opel.s piece Playtime with Elvis and Krispy captures this romp and delight inherent in being playful pals. Bill Pfaff.s composition entitled Lichen is more reflective of the inspiration found in the color variants of lichen on the ground as well as the song of the White-throated sparrow and composer.s creative response to the unusual world above the tree-line.

Additionally, the program includes On Curious Reflection which was written in 2009 for Ricochet Duo by New York.s Capital Region composer Rain Worthington and funded by a grant from New York Women Composers. Other works on the program are by Mikhail Glinka, Jens Schliecker and Nils Rower, Keiko Abe, Jesús Castillo, Akemi Naito, and Charles Tomlinson Griffes.

Come to the concert and join Rose and Jane for a free post-concert reception with wine, cheese, and hors doeuvres!

Ricochet Duo will be Artist-in-Residence for The Kelly Adirondack Center at Union College.s third annual Adirondack Week. Opening the week-long festivities is a 50-minute Taylor Time! concert with music selections from Ricochet Duo.s The Woodswoman Project: a tribute to Anne LaBastille. Included on the program will be Hilary Tann.s .Solstice,. which was commissioned by Ricochet Duo for The Woodswoman Project. Dr. Tann is the John Howard Payne Professor of Music at Union College.

Open seating/ No Charge for Admission

Playtime with Elvis & Krispy, Ricochet Duo Hill and Hollow Music Ricochet Duo's program "DANCES" offers traditional ragtimes by Harry Breuer and tangos by Astor Piazzolla, as well contemporary dance-inspired works by Marc Mellits, Lucas Guinot, William Bolcom, Takashi Yoshimatsu, Eloise Matthies Niwa, and Doug Opel. Open seating/suggested donation $12-15/under 12 free.

Serried with a Tinge of Bop, pianist Esther Wang. MUSIC IN THE GORNO LIBRARY SERIES: A concert by 1997 CCM graduate (DMA in piano) Esther Wang featuring music of Louis Couperin, Mozart, Opel, Thomas, and Poulenc. Full program forthcoming.

Serried with a Tinge of Bop, pianist Esther Wang ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ PROGRAM Kennan: Sonata for Trumpet and Piano Eli Ross, trumpet (Young Artist Scholarship Competition Winner 2014), and Mary Jo Gothman, piano ~~~~~~~~~~~~~~~~~~~~~~~~~ Couperin: Unmeasured Prelude in D minor Mozart: Capriccio in C major, K. 395; Adagio in B minor, K. 540 Opel: Serried with a Tinge of Bop Thomas: Love Twitters Esther Wang, piano ~~~~~~~~~~~~~~~~~~~~~~~ Poulenc: Sonata for Violin and Piano Shirley Santoro, violin, and Michael Santoro, piano ~~~~~~~~~~~~~~~~~~~~~~~~~ Walckiers: Trio, Op. 93 Allier: Scène Champêtre Zoeller: Three Virtuosos: Musical Joke Second Winds Trio (Amy Morris, flute, Nina Olsen, clarinet, and Laurie Merz, bassoon) Click here for full details.

Playtime with Elvis & Krispy, Ricochet Duo Upper Hudson Musical Arts Ricochet Duo, contemporary music for piano and marimba. The Anne Labastille Project. Tickets $15

Playtime with Elvis & Krispy, Ricochet Duo You'll want to check out the concert series Piano by Nature, hosted by the historic Hand House in Elizabethtown (NY), as it's presenting two performances of Ricochet Duo's The Woodswoman Project! With The Woodswoman Project, Ricochet Duo pays tribute to one of the Adirondack's most treasured personalities, Anne LaBastille and her tireless work as an international environmentalist, author, and icon for women by way of weaving together music, sounds, images, and light. On Saturday (only) at 5:30 pm, there will be a special pre-concert talk by Leslie Surprenant, a long-time friend of Anne LaBastille's as well as the executrix of the LaBastille Estate, which will include rare photos and memorabilia from Anne's travels, work, and life. It will provide a fascinating look into Anne's history and background. The Woodswoman Project's repertoire has been selected to celebrate and focus on four tenets of LaBastille's work: water & woods & birds & silence Included in the program for the Piano by Nature performances are two new compositions, written for piano and marimba, were commissioned by Ricochet Duo for The Woodswoman Project: Hilary Tann - Solstice Doug Opel - Playtime with Elvis and Krispy The multimedia program also includes stunning photography from world-class, regional photographers Mark Bowie, Shaun Heffernan, and Carl Hielmann II that are paired with specific musical works. A photo album of select photos from Anne's personal collection that has been provided to Ricochet Duo for this program by the Anne LaBastille Estate will also be shared via a slide show.

Playtime with Elvis & Krispy You'll want to check out the concert series Piano by Nature, hosted by the historic Hand House in Elizabethtown (NY), as it's presenting two performances of Ricochet Duo's The Woodswoman Project! With The Woodswoman Project, Ricochet Duo pays tribute to one of the Adirondack's most treasured personalities, Anne LaBastille and her tireless work as an international environmentalist, author, and icon for women by way of weaving together music, sounds, images, and light. On Saturday (only) at 5:30 pm, there will be a special pre-concert talk by Leslie Surprenant, a long-time friend of Anne LaBastille's as well as the executrix of the LaBastille Estate, which will include rare photos and memorabilia from Anne's travels, work, and life. It will provide a fascinating look into Anne's history and background. The Woodswoman Project's repertoire has been selected to celebrate and focus on four tenets of LaBastille's work: water & woods & birds & silence Included in the program for the Piano by Nature performances are two new compositions, written for piano and marimba, were commissioned by Ricochet Duo for The Woodswoman Project: Hilary Tann - Solstice Doug Opel - Playtime with Elvis and Krispy The multimedia program also includes stunning photography from world-class, regional photographers Mark Bowie, Shaun Heffernan, and Carl Hielmann II that are paired with specific musical works. A photo album of select photos from Anne's personal collection that has been provided to Ricochet Duo for this program by the Anne LaBastille Estate will also be shared via a slide show.

"Pop Swatches" for cello and piano During National YoungArts Week, which takes place in Miami each year, approximately 170 YoungArts Finalists in the visual, literary, design and performing arts to work with distinguished master teachers and mentors in their field. Each night these talented young artists will wow audiences through performances, film screenings, an art exhibition, writers readings and a jazz combo performance. Its not to be missed! For a live stream of the concert, Click here. Tickets: General $15; Members $10* Click here to purchase.

Duo Concert with Matthew McCright, piano and Linda Chatterton, Flute featuring works by Schubert, Prokofiev, Milhaud, and Opel

Duo Concert with Matthew McCright, piano and Linda Chatterton, Flute. Featuring Music of Schubert, Prokofiev, Milhaud, and premiere of new work by Doug Opel

Zeitgeist: New Discoveries, Old Favorites Works include: Jeff Lambert: From Afar, the Dragon Calls Eleanor Hovda: If Tigers Were Clouds George Crumb: Mundus Canis Joshua Harris: OCT 21 2015 Doug Opel: Playtime with Elvis and Krispy Mike Olson: Ommatidia Justin Rubin: The armed man should be feared...and other lessons from the Renaissance Tickets are $20.00 and can be securely purchased by credit card or through your PayPal account in advance, or by cash or check at the door.

Zeitgeist: New Discoveries, Old Favorites Works include: Jeff Lambert: From Afar, the Dragon Calls Eleanor Hovda: If Tigers Were Clouds George Crumb: Mundus Canis Joshua Harris: OCT 21 2015 Doug Opel: Playtime with Elvis and Krispy Mike Olson: Ommatidia Justin Rubin: The armed man should be feared...and other lessons from the Renaissance Tickets are $10.00 and can be securely purchased by credit card or through your PayPal account in advance, or by cash or check at the door.

Bridge Chamber Music Festival Festival Concert II (Urness Recital Hall, St. Olaf College) Featuring: WindWorks and pianist Andrew Hisey perform Ludwig Thuille's Sextet for Piano and Winds, and SPCO violinist Kyu-Young Kim, MN Orchestra cellist Pitnarry Shin and pianist Esther Wang perform a new work by Minnesota composer Doug Opel and Schubert's last chamber work, the majestic Trio in E-flat Op. 100. All tickets are $5 general admission and available at the door unless otherwise noted. Please call 507-786-3535 for more details. Thank you for your support!

Ricochet Duo - Jane Boxall: Marimba and Rose Chancler: Piano - will perform a very special multimedia concert honoring the late Adirondack conservationist and Woodswoman author Anne LaBastille. This unique concert will include 3 world premieres and the stunning pictures of 4 world-renowned nature photographers paired with specific program works. The concert will honor Anne LaBastilles tireless work as an international author, environmentalist and icon for women with an all-encompassing show using music, sound, images and light. A truly fitting tribute to this amazing woman! Repertoire for the concert was chosen to celebrate the four tenets of LaBastilles work: Water - Woods - Birds - Silence. Tickets are $10 in advance and $15 each the day of the show

"Now That Your Dollar Bills Have Sprouted Wings" The Atlantic Chamber Ensemble presents "Project Beck" Doors open at 6:30, music starts around 7:30. This is a potluck house concert-like event, so bring something to share!

Rite of an Appalachian Bolero in Blue....from Mars Choreographer Joe Celej, with dancers Liz Beres and Lauren Garson will present a repeat performance of my latest work at the 12th Annual DUMBO Dance Festival, presented by White Wave.

Rite of an Appalachian Bolero...from Mars (world premiere) COMPOSERS VOICE DANCES ITS WAY INTO THE NEW SEASON Composers Voice presents Vision of Sound featuring PUBLIQuartet combining string quartets with modern dance. Returning from the summer break, Composers Voice begins its season with The Vision of Sound; a collaboration between composers, choreographers, dancers, and musicians to produce new choreographic works with music written by living composers. The pieces reflect the most current aesthetic sensitivities of representative composers and choreographers. The artists of Vision of Sound are committed to the promotion and performance of new works.

slight change of plan (with bubbles) Gao Hong and Intersection *Pre-concert Talk with Peter Hamlin, 7:00 PM Admission is free Chinese musical prodigy Gao Hong is a master of the pipa, a pear shaped lute. With her Asian-fusion classical ensemble, Intersection, Hong explores crossings of various styles - Western art music, traditional Chinese music, contemporary music, jazz, and ragtime. Other members of the group are Nicola Melville, piano; Dave Hagedorn, percussion; and Jun Qian, clarinet. The concert includes new compositions by Peter Hamlin '73, chair of the Department of Music. Sponsored by the Department of Music.

slight change of plan (with bubbles) The ensemble Intersection comprised of clarinetist Jun Qian, pianist Nicola Melville & percussionist David Hagedorn revisit this short work composed for them back in 2009

Bodacious Gaits "Remembering William Albright" Robert Satterlee, piano Admission for IPFW students with ID is free $7 Adults, $6 Seniors (60 and older), $4 Non-IPFW Students (Children ages 5 and younger are free) For information call the University Box Office at 260-481-6555 or visit www.ipfw.edu/music http://new.ipfw.edu/calendar/event-detail.html?id=535633f1-bd75-4491-80c5-0eb7b12d68aa

Bodacious Gaits "Remembering William Albright" Piano Masterclass and Piano Concert with Robert Satterlee Monday & Tuesday, January 23/24 Robert Satterlee http://www.shermanclay-portland.com/upcoming-concert-events

Bodacious Gaits "Remembering William Albright" Robert Satterlee, piano Free and open to the public. http://www.calendarwiz.com/calendars/popup.php?op=view&id=42187371&crd=mssucalendar&

Bodacious Gaits Pianist Robert Satterlee will give a recital on Wednesday, Jan. 18 at 7:30 p.m. in Kimball Recital Hall. This event is free and open to the public. The repertoire will include Two Etudes (Homage to William Albright) by David Gompper, bodacious gaits by Doug Opel, La folia II: Lacuna by Marilyn Shrude, Vendaval by Gabriela Lena Frank, torn by Evan Chambers, Estela: Rag Latino by William Bolcom, Prelude and Toccata by Evan House, and Five Chromatic Dances by William Albright. Satterlee has developed a reputation as an accomplished and versatile solo recitalist and chamber musician. He plays regularly throughout the United States, delighting audiences with his incisive and imaginative performances. He has appeared on the Dame Myra Hess Memorial Concerts in Chicago, San Francisco's Old First Concert Series, the Schubert Club in St. Paul, Minn., the Music Teachers National Association national conventions, the Quad Cities Mozart Festival and many colleges and universities. In the summer of 2011 he played concerts at the new Romanian-American festival in Romania, the World Piano Conference in Serbia and at the Interlochen Arts Center in the United States. He recently was a featured performer at the Piano Plus Festival and the Corfu Festival in Greece and has also played concerts in China, Thailand, Sweden, Holland and Kenya. He has been heard in radio broadcasts throughout the United States, most notably on Minnesota Public Radio and WFMT in Chicago. Music of our time plays an important role in Satterlee's performing activity, and he has given premieres of several works. In June of 2004 he was invited to perform at the Music04 festival in Cincinnati, where he shared a program with the composer and pianist Frederick Rzewski. In 2006 he toured the US with a program of the composer's works, including a new piece specially written for the tour, and has recorded a CD of his works. Satterlee's most recent commissioning project centers around the American composer William Albright, a long time member of the faculty at the University of Michigan. Satterlee has commissioned his former students and colleagues to write solo piano works in Albright's memory, which he pairs with Albright's seminal work, the Five Chromatic Dances.

BODACIOUS GAITS, world premiere In memory of the great American composer William Albright, pianist Robert Satterlee has commissioned piano works from Albright's colleagues and former students. He will premiere these pieces in a program including Albright's Five Chromatic Dances, and will tour with the program throughout the year. Participating composers include: William Bolcom, Evan Chambers, Gabriela Frank, David Gompper, Evan Hause, Doug Opel and Marilyn Shrude. Robert Satterlee Robert Satterlee, a pianist and faculty member at Bowling Green State University, has a reputation as a versatile soloist and chamber musician. An active performer of contemporary music, Satterlee has premiered several works. His chamber music experience includes collaborations with members of the Chicago, London, Philadelphia and Detroit Symphony Orchestras. He also has participated in many music festivals and summer programs, including the Aspen Festival, Banff Centre, and the Interlochen Summer Arts Camp. His recent international appearances include performances in Romania, Sweden, Holland and Kenya. * $25 Assigned Rows 1-2 * $15 Assigned Rows 3-5 * $10 General Admission * $5 Student

SOUL SETTINGS: TRIPTYCH I Music by Michael Djupstrom, Joan Tower, Jennifer Stevenson, Michael Remsen, and Jenni Brandon, and Doug Opel! THE DEFINIENS PROJECT Diana Morgan, flute; Ryan Zwahlen, oboe; Jennifer Stevenson, clarinet; Michael Kreiner, bassoon; Sakura Tsai, violin; Lars Hoefs, cello; Jeaette Yaryan, piano $10 at the door

The Unbearable Being of Likeness 360 degrees of 60x60 Video (Sanguine Mix). Video collaboration with Patrick Liddell. This 60x60 video collaboration of Robert Voisey with Patrick Liddell is called 360 degrees of 60x60 (Sanguine Mix) and is sponsored in part by the International Computer Music Association (ICMA). The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from countries around the world. Patrick Liddell is a composer and video artist living in Chicago. His music/video is a postmodern blend of 'art' and 'popular' styles, with strong hints of electronic, ethnic, video game, experimental, and film music. His YouTube project "Video Room 1000" has received over one million views and has been featured on a host of viral websites. 360 degrees of 60x60 (Sanguine Mix) Paul Adriaenssens, Anthony Arlotta, Rebecca Ashe, Greg Bartholomew, Dennis Bathory-Kitsz, Jay Batzner, Cameron Bobro, Jason Bolte, benjamin Boone, Ian Corbett, Andrew Davis, Daniel Dominguez Teruel, David Drexler, Enrico Francioni, Kenneth Froelich, Iris Garrelfs, Philippe-Aubert Gauthier, Monroe Golden, Daniel Griffing, David Hahn, Jack Harris, Andy Hasenpflug, Luke Jennings, Lynn Job, Jiri Kaderabek, Bevin Kelley, Kevin Kissinger, Juraj Kojs, HyeKyung Lee, Stephen Lias, Patrick Liddell, John Link, Tom Lopez, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Scott McGregor - Moore, David McIntire, Tricia Minty, Steve Moshier, Alon Nechushtan, Julia Norton, Doug Opel, Maggi Payne, Michael Pounds, Margaret Schedel, Les Scott, Alan Shockley, Mary Simoni, Steven Snowden, Michael Spicer, Laurie Spiegel, Stephen Stanfield, Madjid Tahriri, Eldad Tsabary, Doug Van Nort, Giovanni Varrica, Rob Voisey, and Jon Weinel http://www.voxnovus.com/60x60/2010_Sanguine_Mix.htm

The Unbearable Being of Likeness doors open: 7.30 pm ticket price: £8 in advance (from ticket web) and £10 on the door 360 degrees of 60x60 Video (Sanguine Mix) Video Collaboration with Patrick Liddell 60x60 contains 60 works from 60 different composers. Each composition is 60 seconds (or less) in duration sequenced together to create a one hour performance. Highlighting the work of a great many composers, 60x60 testifies to the vibrancy of contemporary composition by presenting the diverse array of styles, aesthetics and techniques being used today. Debuting in New York City November 2003, 60x60 started as an electroacoustic "tape" concert with its 60 short electronic works synchronized with an analog clock to mark the passage of each minute. since then 60x60 has received thousands of audio submissions from more than 30 countries around the world, produced radio shows, colaborated with multimedia (including dance, video, sculpture, and photography) and released several audio albums on CD. 360 degrees of 60x60 (Sanguine Mix) Paul Adriaenssens, Anthony Arlotta, Rebecca Ashe, Greg Bartholomew, Dennis Bathory-Kitsz, Jay Batzner, Cameron Bobro, Jason Bolte, benjamin Boone, Ian Corbett, Andrew Davis, Daniel Dominguez Teruel, David Drexler, Enrico Francioni, Kenneth Froelich, Iris Garrelfs, Philippe-Aubert Gauthier, Monroe Golden, Daniel Griffing, David Hahn, Jack Harris, Andy Hasenpflug, Luke Jennings, Lynn Job, Jiri Kaderabek, Bevin Kelley, Kevin Kissinger, Juraj Kojs, HyeKyung Lee, Stephen Lias, Patrick Liddell, John Link, Tom Lopez, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Scott McGregor - Moore, David McIntire, Tricia Minty, Steve Moshier, Alon Nechushtan, Julia Norton, Doug Opel, Maggi Payne, Michael Pounds, Margaret Schedel, Les Scott, Alan Shockley, Mary Simoni, Steven Snowden, Michael Spicer, Laurie Spiegel, Stephen Stanfield, Madjid Tahriri, Eldad Tsabary, Doug Van Nort, Giovanni Varrica, Rob Voisey, and Jon Weinel http://www.voxnovus.com/60x60/2010_Sanguine_Mix.htm

The Unbearable of Being of Likeness 60x60 (2010 International Mix) debuts at The Substation Theatre in Singapore 8pm on Saturday 22 January 2011. As part of Sonic Visions By Song-Ming Ang Admission: $6 available at The Substation Box Office. http://www.substation.org/60x60/ Sonic Visions is a series of events organised by Song-Ming Ang in conjunction with his first solo exhibition in Singapore, You and I. The programme brings together four music events, underlined variously by the spirit of collaboration, simplicity of ideas, and focus on processes. Sonic Visions is conceived with the aim of elaborating on Ang's work, as well as a way of introducing the audience to his wide-ranging interests. Composers in the 60x60 (2010 International Mix) include: Emerson Aagaard, Aaron Acosta, Monty Adkins, Sean Archibald, Alexander Baker, Greg Bartholomew, Susan Brewster, Warren Burt, Peter Cavell, Douglas Cohen, Cindy Cox, Pierre Desmarais, Marco Dibeltulu, Terry Gambarotto, Philippe-Aubert Gauthier, Thomas Gerwin, Daniel Griffing, Esin Gunduz, David Hahn, Tomer Harari, Dry Heeves, Marie Incontrera, Lynn Job, duck juggler, Howard Kenty, Christopher Keyes, Kevin Kissinger, Yota Kobayashi, Ioannis Kourtis, Petri Kuljuntausta, HyeKyung Lee, Cyprian Li, Stephen Lias, Yu-Ping Lin, Svetlana Maras, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Steve Moshier, Julia Norton, Doug Opel, Guillermo Pozzati, Reconsiderate, Tim Reed, Dean Rosenthal, Paul Russell, Bobby Sanabria, Margaret Schedel, Anne Van Schothorst, Jacky Schreiber, Ethan Schwartz, Les Scott, Mary Simoni, Steven Snowden, Michael Spicer, Agnes Szelag, Madjid Tahriri, Rob Voisey, Jon Weinel, and Danny Wier http://www.voxnovus.com/60x60/2010_International_Mix.htm

The Unbearable Being of Likeness 60x60 2010 International Mix will be held as a special event for the closing party for the ARCUS artist-in-residency programme, which takes place 12 Dec from 17:00-20:00hrs. The concert itself takes place at 18:30-19:30 hrs. Composers in the 60x60 (2010) International Mix include: Emerson Aagaard, Aaron Acosta, Monty Adkins, Sean Archibald, Alexander Baker, Greg Bartholomew, Susan Brewster, Warren Burt, Peter Cavell, Douglas Cohen, Cindy Cox, Pierre Desmarais, Marco Dibeltulu, Terry Gambarotto, Philippe-Aubert Gauthier, Thomas Gerwin, Daniel Griffing, Esin Gunduz, David Hahn, Tomer Harari, Dry Heeves, Marie Incontrera, Lynn Job, duck juggler, Howard Kenty, Christopher Keyes, Kevin Kissinger, Yota Kobayashi, Ioannis Kourtis, Petri Kuljuntausta, HyeKyung Lee, Cyprian Li, Stephen Lias, Yu-Ping Lin, Svetlana Maras, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Steve Moshier, Julia Norton, Doug Opel, Guillermo Pozzati, Reconsiderate, Tim Reed, Dean Rosenthal, Paul Russell, Bobby Sanabria, Margaret Schedel, Anne Van Schothorst, Jacky Schreiber, Ethan Schwartz, Les Scott, Mary Simoni, Steven Snowden, Michael Spicer, Agnes Szelag, Madjid Tahriri, Rob Voisey, Jon Weinel, and Danny Wier You can visit the concert program here: http://www.voxnovus.com/60x60/2010_International_Mix.htm

The Unbearable Being of Likeness 360 degrees of 60x60 Video (Sanguine Mix and the Magenta Mix)

The Unbearable Being of Likeness 12 Nights, The Street: Festival of Electronic Music, Art and Performance 60x60 contains 60 works from 60 different composers. Each composition is 60 seconds (or less) in duration sequenced together to create a one hour performance. Highlighting the work of a great many composers, 60x60 testifies to the vibrancy of contemporary composition by presenting the diverse array of styles, aesthetics and techniques being used today. This 60x60 video collaboration of Robert Voisey with Patrick Liddell is called 360 degrees of 60x60 (Sanguine Mix) and is sponsored in part by the International Computer Music Association (ICMA). The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from countries around the world. Patrick Liddell is a composer and video artist living in Chicago. His music/video is a postmodern blend of 'art' and 'popular' styles, with strong hints of electronic, ethnic, video game, experimental, and film music. His YouTube project "Video Room 1000" has received over one million views and has been featured on a host of viral websites. Patrick recently completed the video for Vox Novus's "360 degrees of 60x60", a six-hour video installation featuring the works of 360 different composers; each hour of the video revisits the same source material but manipulated to uniquely accompany the music playing. He regularly performs live and improvised video with many groups in the Chicago area, as well as his own video/music/art under the moniker [ontologist].

Come enjoy a musical feast with The Definiens Project on Sunday, November 21 @ 4 p.m. in the sanctuary of Hope United Methodist Church. The prix-fixe menu will showcase creative sonic concoctions, sure to delight all of you senses; especially, your sense of humor. Our delicious program will include freshly harvested works from preservative-free composers, featuring several locally-grown composers in our organic cornucopia. Bring your musical appetite and we shall dine together! Definiens will be performing works by Mark Carlson, Jenni Brandon, Doug Opel, Michael-Thomas Foumai, Richard Pressley, and Jennifer Stevenson Price: $5 in advance; $10 at the door for adults 18 and over. Children and those 17 and under are FREE! Phone: (310) 323-1012

The Unbearable Being of Likeness Eclecticism will rule the day as highly focused performances and presentations of folk, experimental pop, jazz, electroacoustic, free improvisation, world music, classical, quirky pop, R&B and more are allowed to coexist and form larger sets or pieces. In addition to the live music, two music-video mixes curated for the international Vox Novus 60x60 Project will be presented; each mix contains 60 one-minute tracks. Video Collaboration with Patrick Liddell. The Nov. 6 performance will take place in the Old Main Theatre, and the Nov. 7 show will be in the Performing Arts Center Concert Hall. Both shows begin at 2 p.m.; admission for each is $5. WWU Box Office hours are 11 a.m. to 5 p.m. Monday through Saturday and one hour prior to the performance. For individual tickets or disability accommodations, contact the box office at (360) 650-6146 or visit http://www.tickets.wwu.edu.

Soul Settings: Triptych 1 (world premiere) Commissioned by The Definiens Project as part of the Composer Commission Compeitition (C3) CSU, Fresno Music Building Concert tickets $7, Seniors/Faculty/Staff $6 All student tickets are FREE All Master Classes are FREE AND OPEN TO THE PUBLIC

The Unbearable Being of Likeness 360 Degrees of 60x60 (Sanguing Mix) This 60x60 video collaboration with Patrick Liddell is called 360 degrees of 60x60 (Sanguine Mix) and is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe. CSU, Fresno Music Building Concert tickets $7, Seniors/Faculty/Staff $6 All student tickets are FREE All Master Classes are FREE AND OPEN TO THE PUBLIC

The Unbearable Being of Likeness 360 Degrees of 60x60 (Sanguing Mix) This 60x60 video collaboration with Patrick Liddell is called 360 degrees of 60x60 (Sanguine Mix) and is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe.

3 preludes to missing the point Vox Novus: Composer's Voice Concert Series featuring Vision of Sound: A Concert of Live Music and Dance The Vision of Sound concert is a collaboration between composers, choreographers, dancers and musicians to produce new choreographic works with live music written by composers primarily within the last five years. The pieces on the concerts all reflect the most current aesthetic sensitivities of the representative composers and choreographers. The dancers and musicians are sincerely committed to the promotion and performance of new work by living composers and choreographers. Program: "Trio for the Common Man" - Mark Olivieri; "Trio" - Nicholas Omiccioli; "Suite for Jules" - Mark Olivieri; "3 preludes to missing the point" - Doug Opel Choregraphers and Dancers: Melanie Aceto, Laurie Atkins, Tara Madsen Robbins and Suzanne Oliver, Kristi Schopfer, Nina Marie Madsen Musicians: Chris Otto - violin; Emily DuFour - cello; Nicola Melville - piano

3 preludes to missing the point Appalachian State University's Department of Theatre and Dance presents the first Front of The Curtain Festival Aug. 10-15 and Aug. 28-29 in Valborg Theatre on campus. This weeklong celebration of theatre and dance will feature four different events sure to engage a range of audiences interested in the performing arts. The second festival event is a Faculty Dance Concert Aug.13 and 14 at 7:30 p.m. in Valborg Theatre. Members of the dance faculty, alumni and community members will collaborate with faculty and local musicians to perform reconstructed and newly choreographed pieces. Laurie Atkins will present the new solo work Three Preludes to Missing the Point with music composed by Doug Opel. For more information about the Front of the Curtain Festival, including ticket prices, reservations and complete synopses of events, call the theatre and dance box office at 262-3063 or visit www.theatre.appstate.edu.

Hell's Hounds are Yorkies Local Arts Organization Outsound Presents the Lineup for the 9th ANNUAL OUTSOUND NEW MUSIC SUMMIT Who: Outsound Presents, a nonprofit arts organization What: The 9th Annual Outsound New Music Summit When: July 18 - 19 Free public events start at 7pm July 21 - 24 Artist Q&A: 7:30pm Music Performances start: 8:15pm Cost: All Ages | Wheelchair Accessible July 21-24: $12 General ($10 advance)/$8 Student Festival Pass $45 ($40 advance) Advance general tickets at In Ticketing http://www.inticketing.com/evinfo.php?eventid=97125 Blurred Lines Experimental films by Martha Colburn, with a live score by Thollem Mcdonas. Also, the internationally-exhibited 2009 60X60 Film Mix from Voxnovis.com, featuring sixty local and international composers to sixty one-minute films by Patrick Liddell.

The Unbearable Being of Likeness THE AMBiENT PiNG presents A/V NiGHT featuring 60x60 Project Audio/Visual Mix + Transmorphous Sound Ensemble + Geek Weekend + General Chaos Visuals Tues. July 20th @ Supermarket. Admission: $6 Project Audio/Visual Mix 360 degrees of 60x60 (ICMC Sanguine Mix) 60x60 contains 60 works from 60 different composers. Each composition is 60 seconds (or less) in duration sequenced together to create a one hour performance. Highlighting the work of a great many composers, 60x60 testifies to the vibrancy of contemporary composition by presenting the diverse array of styles, aesthetics and techniques being used today. The Sanguine Mix of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA). Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world. The Sanguine Mix features Paul Adriaenssens, Rebecca Ashe, Greg Bartholomew, Dennis Bathory-Kitsz, Jay Batzner, Cameron Bobro, Jason Bolte, benjamin Boone, Ian Corbett, Andrew Davis, Daniel Dominguez Teruel, David Drexler, Enrico Francioni, Kenneth Froelich, Iris Garrelfs, Philippe-Aubert Gauthier, Monroe Golden, Daniel Griffing, David Hahn, Jack Harris, Andy Hasenpflug, Luke Jennings, Lynn Job, Jiri Kaderabek, Bevin Kelley, Kevin Kissinger, Juraj Kojs, HyeKyung Lee, Stephen Lias, Patrick Liddell, John Link, Tom Lopez, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Scott McGregor - Moore, David McIntire, Tricia Minty, Steve Moshier, Alon Nechushtan, Julia Norton, Doug Opel, Maggi Payne, Michael Pounds, Reconsiderate, Margaret Schedel, Les Scott, Alan Shockley, Mary Simoni, Steven Snowden, Michael Spicer, Laurie Spiegel, Stephen Stanfield, Madjid Tahriri, Eldad Tsabary, Doug Van Nort, Giovanni Varrica, Rob Voisey, and Jon Weinel

Dilukkenjon for two pianos American Modern Ensemble Celebrates its Fifth Anniversary Season Our final program on June 24 and 25, Powerhouse Pianists II, will feature our pianists Stephen Gosling and Blair McMillen performing works for two pianos, including "Hallelujah Junction" by John Adams, "Chiaroscuro" by John Corigliano, "Kilter" by Mary Ellen Childs, "Subway" by Amanda Harberg, "Dilukkenjon" by Doug Opel, the world premiere of "Deep Blue Ocean" by Robert Paterson and "Winnsboro Cotton Mill Blues" by Frederic Rzewski. Hear these two titans of the piano world and purchase autographed copies of their Powerhouse Pianists CD from our sold-out show from our first season. Powerhouse Pianists II Purchase Tickets Online: $20 Advance, $25 at the door or call 1-800-838-3006 to order by phone (24/7). Program: Hallelujah Junction - John Adams; Kilter** - Mary Ellen Childs; Chiaroscuro - John Corigliano; Subway - Amanda Harberg; Dilukkenjon - Doug Opel; Deep Blue Ocean* - Robert Paterson; Winnsboro Cotton Mill Blues - Frederic Rzewski *World Premiere **New York Premiere Onstage discussion with the pianists and selected composers Artists Stephen Gosling, piano Blair McMillen, piano Reception to follow...

"The Unbearable Being of Likeness" 60x60 Sanguine Mix 360 degrees of 60x60 was created for the 2010 ICMC RED Edition(International Computer Music Conference) 360 one minute pieces were selected to create 6 one hour mixes. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. 360 composers were selected from over 40 different countries. Composers ranged from different aesthetics, styles, ethnicity, culture, age, gender and career stage. 60x60 is specifically designed to represent a broad cross-section of acousmatic music being created throughout the world today. In the spirit of worldwide collaboration and exposure in addition to installation performance of the 360 degrees of 60x60 at the International Computer Music Conference, remote concerts of the 6 mixes will take place in more than 100 venues throughout the world over the next year. 360 degrees of 60x60, 60 works, 60 seconds long; to and from all around the world. At this conference all 6 mixes will be performed as a 6 hour installation each day of the conference. 360 degrees of 60x60 (Sanguine Mix) Paul Adriaenssens, Anthony Arlotta, Rebecca Ashe, Greg Bartholomew, Dennis Bathory-Kitsz, Jay Batzner, Cameron Bobro, Jason Bolte, benjamin Boone, Ian Corbett, Andrew Davis, Daniel Dominguez Teruel, David Drexler, Enrico Francioni, Kenneth Froelich, Iris Garrelfs, Philippe-Aubert Gauthier, Monroe Golden, Daniel Griffing, David Hahn, Jack Harris, Andy Hasenpflug, Luke Jennings, Lynn Job, Jiri Kaderabek, Bevin Kelley, Kevin Kissinger, Juraj Kojs, HyeKyung Lee, Stephen Lias, Patrick Liddell, John Link, Tom Lopez, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Scott McGregor - Moore, David McIntire, Tricia Minty, Steve Moshier, Alon Nechushtan, Julia Norton, Doug Opel, Maggi Payne, Michael Pounds, Margaret Schedel, Les Scott, Alan Shockley, Mary Simoni, Steven Snowden, Michael Spicer, Laurie Spiegel, Stephen Stanfield, Madjid Tahriri, Eldad Tsabary, Doug Van Nort, Giovanni Varrica, Rob Voisey, and Jon Weinel

"The Unbearable Being of Likeness" 60x60 Sanguine Mix 360 degrees of 60x60 was created for the 2010 ICMC RED Edition(International Computer Music Conference) 360 one minute pieces were selected to create 6 one hour mixes. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. 360 composers were selected from over 40 different countries. Composers ranged from different aesthetics, styles, ethnicity, culture, age, gender and career stage. 60x60 is specifically designed to represent a broad cross-section of acousmatic music being created throughout the world today. In the spirit of worldwide collaboration and exposure in addition to installation performance of the 360 degrees of 60x60 at the International Computer Music Conference, remote concerts of the 6 mixes will take place in more than 100 venues throughout the world over the next year. 360 degrees of 60x60, 60 works, 60 seconds long; to and from all around the world. At this conference all 6 mixes will be performed as a 6 hour installation each day of the conference. 360 degrees of 60x60 (Sanguine Mix) Paul Adriaenssens, Anthony Arlotta, Rebecca Ashe, Greg Bartholomew, Dennis Bathory-Kitsz, Jay Batzner, Cameron Bobro, Jason Bolte, benjamin Boone, Ian Corbett, Andrew Davis, Daniel Dominguez Teruel, David Drexler, Enrico Francioni, Kenneth Froelich, Iris Garrelfs, Philippe-Aubert Gauthier, Monroe Golden, Daniel Griffing, David Hahn, Jack Harris, Andy Hasenpflug, Luke Jennings, Lynn Job, Jiri Kaderabek, Bevin Kelley, Kevin Kissinger, Juraj Kojs, HyeKyung Lee, Stephen Lias, Patrick Liddell, John Link, Tom Lopez, Craig Marks, Gene Marlow, John Maycraft, Mike McFerron, Scott McGregor - Moore, David McIntire, Tricia Minty, Steve Moshier, Alon Nechushtan, Julia Norton, Doug Opel, Maggi Payne, Michael Pounds, Margaret Schedel, Les Scott, Alan Shockley, Mary Simoni, Steven Snowden, Michael Spicer, Laurie Spiegel, Stephen Stanfield, Madjid Tahriri, Eldad Tsabary, Doug Van Nort, Giovanni Varrica, Rob Voisey, and Jon Weinel

"The Unbearable Being of Likeness" 60x60 Sanguine Mix Involving 600 composers and 40 dancers in 10 continuous hours of dance, music and video, this project brings together artists of different practices, media, styles and experience in collaborative contemporary art-making. Visitors can walk in at any time during the day to experience 60x60 in part or in full.

The Unbearable Being of Likeness Parade: 1:00pm Concert: ca. 5:00pm 60×60 joins the New York Dance Parade and Festival for an exciting extravaganza of 60 one-minute dance performances to be choreographed to 60 one-minute electronic audio works and performed on stage in Tompkins Square Park. "An express without any delay...It's this kind of madness that makes the cultural world go round." - The New York Times Eclectic by nature, 60×60 Dance offers an unmatched diversity of styles, making for a fast-speed, electrifying one-of-a-kind performance that never ceases to surprise. Dances will span all forms from tribal to ballet to hip-hop to ballroom and contemporary, while music includes neo-romantic, folk, tech-house, noise, rock and everything but the kitchen sink. 60×60 Project is a one-hour-long show made by sequencing 60 pre-recorded pieces by 60 different composers, each piece a minute in length or shorter. For 60×60 dance events, each selected performer/group will be invited to create a one-minute performance to one of the 60 compositions. The 60 performances will be joined to create a 1 hour show.

Hell's Hounds are Yorkies 60x60 makes a stellar debut in Spain with three 60x60 video mixes inking the sky! Presenting more than 150 composers and the video work of 3 different video artists! A night of 60x60 videoart (2004, 2007 and 2009 mixes) marks the closure of Estudio Nomada's "In the Sky"/ "Off-Loop" programme for the LOOP Videoart Festival this Saturday in Barcelona. Audience members are invited to enjoy the screening from comfy bean-bags and giant-sized cushions on the floor, whilst 60x60 inks the sky ! For more info, visit the "Programme" section of: http://www.inkthesky.com/ 60x60 2004 Video collaboration with Shimpei Takeda. Shimpei Takeda (b.1982, Japan) is an artist who has mainly worked in the areas of: photography, video and audio-visual performance. He lives and works in Brooklyn, New York. He has been interested in capturing random organic motion, such as movement of the water's surface or light reflection. And, the primal elements' flexibility, as an ingredient to the visual medium, they are enhanced by using digital cameras, with their instant preview and long zoom lens - this allows me to realize abstract paintings in the motion. His work has shown across the U.S., Europe, and Australia including the: The Essl Collection of Contemporary Art, Weisman Museum of Art, and the Austin Museum of Art. He has collaborated with many sound artists and electro-acoustic composers. Composers in the 60x60 (2004)2004 International mix include: Riad Abdel-Gawd, Aaron Acosta, Liana Alexandra, John Allemeier, Christian Banasik, Dennis Bathory-Kitsz, Stephen Betts, Sandeep Bhagwati, Justin Breame, Scott Brickman, George Brunner, Robert Carl, Miha Ciglar, David Claman, Douglas Cohen, Noah Creshevsky, Leslie de Melcher, Patrick Dorobisz, Moritz Eggert, Karlheinz Essl, Carlo Forlivesi, David Gamper, Douglas Geers, Peter Gilbert, Robert Gluck, Daniel Goode, Ramon Gorgoitia, James Hegarty, Mark Henry, Erik Hinds, Bernand Hughes, David Jaggard, Keith Johnson, Michael Kinney, John Link, David T. Little, Guy Livingston, Annea Lockwood, Juan Maria Solare, Charles Mason, James McWilliam, Luis Menacho, David Mooney, Michael Murphy, Serban Nichifor, Richard O'Donnell, Maggi Payne, Mark Petering, Morgan Quaintance, Giuseppe Rapisarda, Laura & Andrew Reid & Hodson, Robert Sazdov, Jacky Schreiber, Alex Shapiro, Emma Shiffrin, Allen Strange, Thomas Sutter, Vladimir Tosic, Eldad Tsabary, and Robert Voisey 60x60 2007 Video collaboration with Zlatko Cosic Short films of Zlatko osi have been shown at St. Louis International Film Festival, USA Film Festival, the Pulitzer Foundation for the Arts, St. Louis Art Museum, Belgrade Documentary and Short Film Festival, St. Louis\ Regional Arts Commission, Independent Film Channel, Stimultania Gallery and TNA TV in France, Kulturkiosken Gallery, Sweden, XMV Collective: Unconscious in New York, Electronic Midwest Music Festival in Kansas City, Spark Festival of Electronic Music and Arts, Macon Film Festival, AMLA National Media Education Conference,\ Media Ecology Association Convention in Mexico City, and PBS's Art21: Art in the Twenty-First Century. Zlatko osi was born in the city of Banja Luka, Yugoslavia, present day Bosnia and Herzegovina. Zlatko currently lives in St. Louis and works as a multimedia artist creating films, public projections, video installations and live multimedia performances. Composers in the 60x60 (2007) International Mix include: Henri Algadafe, John Allemeier, Thomas Bailey, Joel-Aime Beauchamp, Benjamin Boone, Monique Buzzarte, Adam Caird, Grégory Chatonsky, Jesse Clark, Cindy Cox, Noah Creshevsky, David Cutler, Tilmann Dehnhard, Robert Dick, Andrew Eckel, Iris Garrelfs, Thierry Gauthier, Marcel Gehrman, Thomas Gerwin, Tomer Harari, Risto Holopainen, Alphons Izzo, Michiko Kawagoe, Joelle Khoury, Panayiotis Kokoras, Gintas Kraptavicius, Sophie Lacaze, Micky Landau, Tuan Hung Le, Graziano Lella, Meng-chia Lin, Drake Mabry, Chris Mann, Al Margolis, John Maters, Christian McLeer, David McIntire, David Morneau, Jeff Morris, Tim Mukherjee, Alex Nadjarov, Helen Nattrass, Serban Nichifor, Blas Payri, John Pitts, Gene Pritsker, Tim Reed, Stephen Rothman, Anne van Schothorst, Laurie Spiegel, Ken Steen, Olivier Tache, Eldad Tsabary, Philippe Vernier, Andrea Vigani, Daniel Visconti, Jane Wang, Rodney Waschka II, Simon Whetham, Sabrina Pena Young, and Cynthia Zaven 60x60 2009 Video collaboration with Patrick Liddell Video Artist, Patrick Liddell recently received this Doctor of Music at Northwestern University in Music Composition. His primary instructors have been Jay Alan Yim (Northwestern University, Evanston IL), Chris Mercer (Northwestern), Peter McIlwain (Monash University, Melbourne, Australia), and Steve Heinemann (Bradley University, Peoria IL). His music has been performed by Function Ensemble (London, UK), Monash Gamelan Ensemble (Melbourne), pLAy Ensemble (Los Angeles, CA), Vox Novus (NYC, NY), Third Coast Percussion Ensemble (Chicago, IL), and many other chamber and popular groups. His art is a combination of music and video (video being the visual counterpart to the temporality of sound), and in a postmodern idiom attempts to combine popular, art, and world musics into a "unified disassociation". His most recent project, Arrow To The Sun, is a multi-dimensional fractal-art piece that fuses music, video, taste, touch, smell, and thought to evoke an anti-narrative of spiritual enlightenment. Composers included in 60x60 (2009) International Mix: Aaron Acosta, Aart Uunivers, Christopher Ariza, Dwight Ashley, Adam Basanta, Dennis Bathory-Kitsz, Jay Batzner, Benjamin Boone, Justin H Brierley, Halsey Burgund, Hermes Camacho, Danny Clay, David Congo, Alvin Curan, Matthew Dotson, Mark Eden, Morgan Fisher, Enrico Francioni, Kraig Grady, Cem Guney, Richard Hall, Yoko Honda, Masaaki Iseki, Lynn Job, Aaron Krister Johnson, Bernadette Johnson, Timo Kahlen, Tova Kardonne, Michiko Kawagoe, Antom Killin, HyeKyung Lee, Brian Lindgren, Pasquale Mainolfi, John Maycraft, Angela McGary, Leslie Melcher, Polly Moller, Josue Moreno, David Morneau, Peter Mottram, Alexander Mouton, Paul Oehlers, Doug Opel, Christophe Petchanatz, Kala Pierson, Gene Pritsker, Robert\ Ratcliffe, Philip Schesslar, Matt Schickele, Les Scott, Diana Simpson, Steven Snowden, Jorge Sosa, Laurie Spiegel, Patrica Walsh, Jane Wang, Andrew Weathers, Andrew Willingham, Gregory Yasinitsky, and Natal Zaks

Vox Novus 60x60 (2009 International Mix) including "Hell's Hounds are Yorkies" Free admission

Vox Novus 60x60 (2009 International Mix) including "Hell's Hounds are Yorkies".

Vox Novus 60x60 (2009 International Mix) including "Hell's Hounds are Yorkies"

Vox Novus 60x60 (2009 International Mix) including "Hell's Hounds are Yorkies"

Hell's Hounds are Yorkies 60x60 (2009/International Mix)

Hell's Hounds are Yorkies 60x60 (2009/International Mix)

Hell's Hounds are Yorkies 60x60 Video (2009/International Mix) collaboration with Patrick Liddel.

Hell's Hounds are Yorkies ELECTRIC LA-TEX 2009 60x60 (2009 International Mix)

Hell's Hounds are Yorkies ELECTRO-ACOUSTIC JUKE JOINT 60x60 Video (2009/International Mix) collaboration with Patrick Liddell. FREE ADMISSION

Hell's Hounds are Yorkies 60x60 Audio (2009/International Mix) FREE ADMISSION

Hell's Hounds are Yorkies 60x60 Dance (2009/International Mix): 60 one minute dances by different choreographers organized by Amiti Perry. FREE ADMISSION

Hell's Hounds are Yorkies 60x60 Dance (2009/International Mix): 60 one minute dances by different choreographers organized by Amiti Perry. Presented by New Music Circle. $15 general admission/$7 student admission

Hell's Hounds are Yorkies 60x60 Dance (2009/International Mix): 60 one minute dances by different choreographers organized by Amiti Perry

Pianist Nicola Melville will perform an evening of selected works including "3 preludes to missing the point"

Hell's Hounds are Yorkies 60x60 Audio (2009/International Mix)

Hell's Hounds are Yorkies 60x60 Dance (2009/International Mix): 60 one minute dances by different choreographers organized Amiti Perry. $5 admission (18+ only)

Onondaga Community College will host Vision of Sound, presented by The Society for New Music, as part of their Arts Across Campus series. "3 preludes to missing the point" will be performed alongside pieces by composers Mark Volker, Mark Olivieri and Dana Wilson.

Vision of Sound Concert of Live Music and Dance. Featuring Melanie Aceto Contemporary Dance and including selections from my recent piano work, 3 Preludes to Missing the Point (2006). $12 General/$10 Seniors/$8 Students

Music Faculty Artists Series. Nicola Melville appears as MC Arts Institute's Distinguished Guest Artist, performing '3 Preludes to Missing the Point' and other selections from her recent release, Melville's Dozen.

Pianist Nicola Melville appears as Artist in Residence, continuing her world-wide performance of selections from "Melville's Dozen", recently released on the Innova label, a series of 13 new works comissioned by the pianist from 13 composers.

Four musical artists from three countries come together in an exciting new Asian-fusion classical ensemble. Their program includes traditional works of Western and Eastern Art music alongside new cross-cultural works by a compelling variety of composers from the Twin Cities and beyond. The four members of Intersection - Gao Hong (pipa), Dave Hagedorn (percussion), Jun Qian (clarinet), and Nicola Melville (piano) are friends, colleagues and collaborators from the faculties of St. Olaf College and Carleton College. They bring a wealth of diverse experiences to this thrilling ensemble: their broad backgrounds in Western Art music, traditional Chinese music, East-meets-West compositions, contemporary music, jazz and ragtime fuse to produce vibrant and varied programming that is fresh and innovative. The program for this concert will include traditional Chinese works, traditional Western works, compositions by Gao Hong, and world premiere performances of new compositions by Northfield composers Justin Merritt (St Olaf) and Alex Freeman (Carleton College), and New York composer Doug Opel.

Keys to the Future, New Yorks premiere festival for contemporary piano music. Karen Hakobyan and Gabriel Escudero will be perform Dilukkenjon for two pianos.

Vision of Sound Concert of Live Music and Dance. Featuring Melanie Aceto Contemporary Dance and including selections from my recent piano work, 3 Preludes to Missing the Point (2006). Free and open to the public

Vision of Sound Concert of Live Music and Dance. Featuring Melanie Aceto Contemporary Dance and including my recent piano work, 3 Preludes to Missing the Point (2006). $15 General/$12 for Seniors & Students $4 Dance Students signing in Additional number: 315 245-1689

Nicola Melville will perform selections from '3 Preludes to Missing the Point' for the Tucson Music Teachers Association and at the University of Arizona.

NY Teachers Conference. Nicola Melville, piano. Selections from 3 preludes to missing the point (2006).

Chautauqua Music Festival. Nicola Melville, piano. Selections from 3 Preludes to Missing the Point (2006).

Nicola Melville, piano. Selections from 3 preludes to missing the point (2006) will be performed at the 2008 Carleton College Reunion.

Minnesota Music Teachers Assocation. Nicola Melville, piano. Selections from 3 preludes to missing the point (2006) will be performed at the MMTA 2008 Convention.

Ferlinghetti, Duquesne Contemporary Ensemble

3 Preludes to Missing the Point, Nicola Melville, pianist

Episodica. Performed by guest conductor Uri Mayer leading the IU Philharmonic.

NeoCons and Libertines. Performance by the MATA Micro-Orchestra. Appearing on the Oct. 2nd concert.

Drive! for chamber orchestra

Dilukkenjon for Two Pianos will be performed Saturday, Feb 21st, 2004 at Ohl Concert Hall on the Heidelberg College campus as part of a recital featuring pianists Nikki Melville and Lisa Campi. Other works to be performed are Brahms' Haydn Variations, the Lutoslawski Paganini Variations and a blues piece co-written by Otto Luening and Ernst Bacon.

Unbearable Being of Likeness 60x60 Video (2011 International Mix) video collaboration with Zlatko Cosic will premiere in Oxford, England on Friday February 18th at 1:00 PM at Audiograft. Audiograft is an annual festival of Contemporary Music and Sound Art curated by the Sonic Art Research Unit at Oxford Brookes University. The 2011 festival is an ambitious extension of the event throughout the public arts venues of the City, with perfomances happening at Modern Art Oxford, the Jacqueline Du Pré Concert Hall and the Holywell Music Room on three consecutive evenings as well as a program of installations and workshops running for the whole week (February 14th-20th 2011) in and around the Richard Hamilton Building on the Headington Hill Campus. Friday February 18th at 13:00 60x60 Video (2011 International Mix) Video Collaboration Jacqueline du Pré Concert Hall Cowley Place Oxford OX4 1DY England Admission £3 www.audiograft.com